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Showing posts with label flowers. Show all posts
Showing posts with label flowers. Show all posts

Saturday, 24 November 2012

Brother Mine (Part 2)

                   Welcome!

November has done it again. We usually think of Adelaide’s hot weather being in January and February but I reckon you can count on one week of November giving us a foretaste of it. This is the week: 35+ degrees Celsius forecast for at least four days of this week. As long as the garden doesn’t suffer from it, I’m okay with that. I think the feijoa likes it. This is its first flush of flowers since we planted it a year ago. My tastebuds are already preparing themselves, but the flowers are my favourite feature of this small tropical South American tree.

Now for the conclusion of the story we began last week, a historical fiction of an undervalued son and a strange visitor.


Brother Mine (Part 2)


'Richard, my dear fellow! You're ready by the look of it. Let us depart immediately before—' and he peered towards the dining room with one eye and up the stairs with the other, a peculiarity no doubt made possible by his wall eye. Grabbing my sleeve as I stood firmly clenching my teeth to prevent my jaw dropping like an imbecile, Bryant linked arms with me and almost dragged me to the carriage awaiting us. The livery was unfamiliar; everything was as incomprehensible as my apparent imaginings the previous evening.
            For the first mile or so, Bryant said nothing but looked out of the window to one side and then the other, casting me an occasional smile or a wink as his gaze shifted.
             I sat looking sideways at him, trying to recall if I had ever heard of him. I had spent some time in London the previous year, but none of my acquaintances had intimated the existence of such a person. Surely I would have heard some rumour about a fellow of his odd appearance and outfit. City gossips have nothing better to talk about.
            After a time, when I was beginning to wonder if I had been rash in following this character without an explanation, he sighed loudly and took off his wig, scratched his near-bald scalp, and tossed the wig aside, where it slid off the leather seat and onto the floor.
            'I take it you received word last evening of our plans for your future? And that you are not unwilling?' He looked me in the eye most impertinently, or so my father would have judged, and then turned away as if he had seen the answer. I answered nevertheless, since I had no idea what he thought he had seen.
            'I – I was – uh, visited l-l-last night, it is t-t-true. Excuse my ret-my ret-reticence, but I had b-been wondering if I had s-simply drunk too much brandy. Even n-n-now, I confess, I am s-s-struggling to comprehend.'
            He nodded briefly as if that was a matter of course, and I relaxed a little. Whatever was happening to me, it appeared that my understanding was not essential, merely my acquiescence. What did I have to lose? I asked myself. The unlikely proposal of the previous night had seemed to offer more hope than I had experienced since my brother's demise on the Continent seven years earlier.
            'We will be at the port in a little over two hours, so I will begin your instruction immediately. You will cease to be known as Richard from this moment; you are Jack.' And you will address me as, in fact, I am – your mother's second cousin, Frederick Schwingenschloegl.' At this point he took off his outer garments, bundled them tightly and threw them, together with the wig, into the river we were at that moment crossing on a narrow bridge. He pulled out a box from under the seat and proceeded to dress all in black, a respectable German traveller.
            I had not imagined it. This improbable man was offering me the impossible and now I grasped it with fervour. If I could not have my brother, I would be my brother. One day, in the future planned for me by my mother's German relatives, I would return to England to claim the inheritance of the father who would not recognise his younger son. I only hoped my mother would live long enough to enjoy her victory.

Until next week…
Claire Belberg

Saturday, 17 November 2012

Brother Mine (Part 1)

                         Welcome!
blue passionflower

The blue passionvine is in bloom – a fantastical flower, if ever there was one. It’s unfortunate that a flower with such promise doesn’t fulfil it with fruit. This was the rootstock of a Nellie Kelly grafted passionfruit. The graft didn’t survive, and now we have rampant blue passionvine trying to overtake the garden, latching onto the orange tree and consuming the water meant for it. But I’ve always enjoyed the peculiarities of weeds, so for the time being the wild vine remains, and I’m enjoying the crazy flowers.

The story of this week began as an exercise with my writing group, where we had to start with the first paragraph of George MacDonald’s Phantastes. In recognition that 1200 words is a lot to read in one burst on the internet, I have divided it into two parts. The second will be posted next week (poetry readers will have to wait an extra week before their next ‘fix’.)

Brother Mine


I awoke one morning with the usual perplexity of mind which accompanies the return of consciousness. As I lay and looked through the eastern window of my room, a faint streak of peach-colour, dividing a cloud that just rose above the low swell of the horizon, announced the approach of the sun. As my thoughts, which a deep and apparently dreamless sleep had dissolved, began again to assume crystalline forms, the strange events of the foregoing night presented themselves anew to my wondering consciousness.
            I hardly had time to decide whether I believed in them before the rest of the household awoke with all the clamour and bustle that entailed. Sighing, I rolled out of my bed, gave myself a quick wash, and dressed. Just in case the events I imagined of yesterday had, in fact, been real, I took up my cloak and retrieved a small pistol from the back of a bureau drawer. I tucked the latter into a flap inside my jacket which could have been made for the purpose. One never knew quite what had been intended by my deceased elder brother, Jack.
            I headed downstairs as a bell sounded. I knew therefore that my father was already in the dining room, and I checked my appearance in a long and ornately ugly mirror in the hall before proceeding to his inspection. My short black hair was neat, the russet and dark brown clothes well-made and becoming, according to my mother; there was only the uneven features of my shadowed face to displease, and those I had long ago resigned myself to. At least I could remember my brother when I saw my reflection, for we had been as seeds from the same pod. I tried to arrange my face in an affable pose, and approached the dining table.
            'Look like you're only fit for a walk in the woods,' Father grunted. 'Don't you have business today?' He gave me a piercing look under his lowered eyebrows, and I shrank from it as usual.
            'N-n-no, that is tom-m-morrow,' I said, taking a seat at the far end of the table. I prayed my sister would come earlier than was her wont, for she had the knack of distracting Father from his black moods. No matter what I said, my very presence seemed to increase that frame of mind.
            The maid dished up sausages, eggs and the remains of last night's pie while the silence of the room deepened and my father's eyebrows fell so low they almost interfered with his mandibular motion. My sister did not show, and my mother was, I assumed, nursing her constant ill-health in her own suite.
            It was as I bit into the pie that I realised, with a lurch of my stomach, that nothing had changed. Last night's events could not have occurred; they had merely been the expression of my growing desperation to know my father's approval. That moment of despair rendered the taste of pigeon pie thereafter unpalatable.
            I escaped the strained silence of the dining room with only a handful of shattering observations from my disillusioned pater. I stood in the hall for a moment, trying to decide on a course of action that would keep me out of trouble for the day. At that moment the butler announced an arrival.
            Assuming it was one of my father's business associates, I turned to go through the drawing room and thence out of the house to the stables, but Poulton ahem-ed behind me.
            'For you, Master Richard. A—' and here he looked again at the calling card in his gloved hand, 'Lord Frederick Bryant. He says you are expecting him.'
            The fellow who had announced himself so boldly looked quite irregular. I supposed that being a lord and used to having his way, he had chosen his outfit for his own peculiar tastes rather than fashion. I was not enamoured of fashion myself, but I would have found it unthinkable to wear old-fashioned purple hose with black knee-high buckled boots and a red and orange embroidered waistcoat under an open surcoat of shiny black fabric. This too had buckles, polished to gleam even as they tinkled at the jerk of his stride.

Look for Part 2 next week.
Until then…
Claire Belberg

Monday, 1 October 2012

Waiting, watching


Welcome!
Native hibiscus (alyogyne)
It’s a wonderful thing that the spring-flowering plants don’t change their minds like the weather. Can you imagine if all the flowers of camellia, wisteria, flowering fruits, and Australian native plants like the pictured alyogyne, westringia, prostanthera, etcetera opened on the sunny days and hid on the cloudy ones? Those would be particularly dismal days. But the flowers, having made their choice to bloom, go boldly onward.

These changeable days are for living as much as any other day, but they also seem to say, ‘Wait and watch! Summer is coming.’ The ‘stream of consciousness’ poem below is not about spring but it plays with the same idea, as the name suggests.


Waiting, watching
           
Sun bright
on my paper, pen shadowed
in sharp relief.
            DON'T WALK
Man with sunglasses waiting
at traffic lights, craning
to see the sign,
waiting
jiggling.
Gleaming silver cars stop.
            WALK
towards stunted plants in terracotta
brown-tipped leaves sparse
trapped, collecting fumes
memorial to a million passing cars.
Nature inserted at strategic points.
            DON'T WALK
I chose this place
sitting in the sun, watching.
Eating quiche and salad with a view
justifies spying,
plate glass window my screen
between the world walking by
and my curiosity
            WALK
Old man totters
jaywalking up the road,
just a few steps closer to the post office,
while drivers wait,
tapping.
            DON'T WALK
Sun intensifies through glass,
melts the chocolate waiting for me
on the saucer of vienna coffee.
I eat sporadically,
write quickly to capture
images, and snatches of thought they inspire.
Lettuce and balsamic vinegar
      whatever happened to iceberg and vinaigrette?
Wilted image, names without lyric
now we have rocket
                                    oakleaf           
                                                   mignonette but no crunch.
            WALK
A shopper strides past my window, staring in,
the watcher watched
           
But I was eating, not writing,
wrestling to fork leaves with no crunch.
            DON'T WALK
My mouth waters, waiting as
food falls from my fork, splattering into balsamic puddle,
soggy, tangy carrot
browned off with vinegar.
And the quiche, enticing,
tasteless.
            WALK
Young legs in black stockings,
two girls saunter in unison,
tartan skirts short-changed
like their hours of schooling
this winter's day.
            DON'T WALK
I watch from the corner of my eye;
'uniforms' but
not the same shape
not unformed
not anonymous
my daughters' peers.
            WALK           
Ah, there's the bank's security man
on his lunch break,
sees me
knows me?
Does familiarity compromise integrity?
            DON'T WALK
I remember.
I remember this place
this piece of ground
used to be Penno's Hardware,
boots and wheelbarrows,
meet your neighbours on Saturday morning.
Now a coffee shop changing
ownership as regularly
as the traffic lights its windows frame.
            DON'T WALK
Time
to drink that waiting coffee.
Sure enough, the chocolate
has melted onto the sun-warmed spoon,
wasted on the paper doily.
I lick the spoon,
lick the inside rim of the latte glass,
wasting nothing;
wasting no memories,
holding them in the sun,
tasting them again
more satisfying than coffee and chocolate.
Coffee gone.
Chocolate eaten.
Fingers licked.
Warm in the sun
Lights change, cars stop, people cross.
I watch
            DON'T WALK
I wait to capture time.


Until next week…
Claire Belberg